Following a week of beautiful weather, I was crossing my fingers for sun to light my photograph walk on Saturday morning. Alas, it was not to be. The light was subdued at 9am from a sky covered with cloud. On a positive note, it was not as cold and it did not look like it was going to rain. Decision made. I’m going out to continue my exploration of Eden Terrace from Thursday’s burger run. Eden Terrace is only 3km away. I could cycle. But who am I kidding? I jumped into my car and off I went.
Like the analyst that I am, I drew a 3 x 3 grid pitting lighting conditions with colour temperature. Essentially, I was trying to understand which custom setting should I use in different conditions. Based on my grid, today’s conditions is Flat Light and Neutral/Cold colour temperature. Based on my grid, I should either be using Ritchie Roesch’s Kodachrome II custom setting or Luis Costa’s Classic Negative setting. However, I decided to work with my Classic Chrome custom setting. Let’s see how it works today.
Eden Terrace is small suburb around 3km wide and 1km deep. There is a mix of residential, social and commercial properties with varying levels of modernity and grunge. Eden Terrace is gentrifying like all city fringe suburbs forced to move with the times. Here are the shots from today.
This is my favourite shot of the day.
The gem of my Saturday morning would have to be the chance encounter with a foraging uncle. In Singapore, we call anyone about 10 years old than us “uncle” even though there isn’t any blood relationship. Earlier in the morning, I had taken some photos of the urban graffiti on the empty plot of land sandwiched between buildings on three sides.
As I got into my car to leave, I saw an uncle in the same spot foraging. Going against, all my instincts, I went up to him to strike a conversation. Apparently, he is foraging for herbs that go into Chinese baos (buns). I can’t remember what the herb was as I was more focused on trying to hold a conversation in Chinese. All I remember is that it is something 香(fragrant). It looked like the fine thread like leaves of an giant bush of fennel.
Last thought, I think my custom setting managed to capture a true reflection of the scene. There was no unnatural warmth that can come from a Classic Negative based simulation or a Kodachrome II film simulation. This custom setting for my Fujifilm Xpro3 is a good base for Auckland’s winter/spring scene.